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NYatKNIGHT
June 16th, 2003, 12:54 PM
NEW YORK TIMES
Soldier Field Renovation Brings Out Boo-Birds
By DAVID BARBOZA


http://graphics7.nytimes.com/images/2003/06/15/national/16field.jpg

The Colosseum-like home of the Chicago Bears is undergoing a futuristic renovation that has received unflattering feedback.


CHICAGO, June 15 — It looks like a U.F.O. crash-landed on an ancient ruin; it's a giant egg in a giant egg cup; it's like a fat man trying to wedge himself into a skinny man's shorts.

Those are some of the things people here are saying about a futuristic renovation of Soldier Field that is under way. The project is quite the topic of conversation among architects and authors and just about anyone who drives by. Not much of it is flattering.

Soldier Field, which opened in 1924, is the Colosseum-like home of the Chicago Bears. But to add more modern amenities and luxury seating, the city, which owns the stadium, embarked last year on a renovation, converting it into a modern football arena where steel and glass meet neo-Classical Doric columns.

The architects call the new stadium design bold, aggressive and pioneering. But critics here say the renovation has desecrated a national landmark. Soldier Field, they insist, is no longer Soldier Field.

"This is not the graceful, classical acropolis of Chicago anymore," said David Bahlman, president of the Landmarks Preservation Council of Illinois, which tried to stop the renovation plan. "If you'd never seen Soldier Field before this, you'd have a hard time figuring out what the original structure looked like."

Renovations that meld old and new are not unheard of. They are known as parabuildings, and some, like an airy new entrance for the Brooklyn Museum of Art, have been favorably received.

But the newspapers here have not been kind. The Chicago Tribune has called the new Soldier Field the "Monstrosity on the Midway" and the "Mistake by the Lake." The Chicago Sun-Times recently released the results of a poll that declared it the city's ugliest building.

Mayor Richard M. Daley, who pushed for the modernization of Soldier Field, is being criticized for ruining a historic treasure and damaging a part of the city's magnificent lakefront. His staff is scrambling to put the best face on the new arena.

"We feel really good about this design," said Lee Bey, deputy chief of staff for planning and design in the mayor's office. "Even if it infuriates, it puts its foot down. We have to get away from this idea of architecture that's polite."

The owners of the Bears are also taking heat. The National Football League team, after all, had long pressed the city for an upgrade on a stadium it had used since 1971.

The city considered placing a dome over Soldier Field, a retractable, translucent roof. They also considered reshaping the stadium by lowering the field 21 feet. But that would have put the players underwater, since Lake Michigan is nearby.

Finally, two years ago, the city and the Bears agreed on a solution: they would place a modern football stadium inside the rim of the old Soldier Field. That would involve cutting out the innards of the flat, low-lying stadium and inserting what looks like a jackknifed Mile High Stadium in the center.

Critics blasted the plan. But the city did not budge. Just hours after the Bears ended their season on January 19, 2002, (they played last year at the University of Illinois stadium in Champaign), construction workers began dismantling Soldier Field.

One of the harshest critics of the new arena is Blair Kamin, the Pulitzer Prize-winning architecture critic for The Chicago Tribune. Mr. Kamin has called the plan a "nightmare" and said it would disrupt the classical ensemble of buildings on the lakefront and destroy the architectural integrity of the original Soldier Field, which is a National Historic Landmark. No other major professional sports stadium is so designated. Being designated a National Historic Landmark (and there are about 2,500, including the Empire State Building) does not prevent the owner from renovating, unless federal money is involved.

The new, $400 million stadium, which is being paid for by the Bears and the city's hotel tax, is scheduled to be completed in time for the team's home opener on Sept. 29.

Critics say they do not even recognize the old Soldier Field in the stadium going up. On the stadium's west side, the new grandstand towers over the old colonnades.

"It's definitely ridiculous," said Stanley Tigerman, an local architect. "It's way out of scale with the colonnades."

The author Studs Terkel, who at 91 is one of the few Chicago icons older than Soldier Field, said it was a shame. "I think it's grotesque what they've done," he said. "That was the Colosseum. Every time I go by it I just want to say, `Bring out the lions! Bring out the lions!' "

The new project's architects, Wood & Zapata of Boston, say that to keep the colonnades intact and meet N.F.L. regulations on things like sightlines, they were forced to compress the new stadium inside the old one, and that meant towering grandstands.

There was no way to keep Soldier Field's old character, said Carlos Zapata, one of the principal designers of the stadium.

"You cannot cantilever a classical style because classical buildings don't do that," he said. "This is a modern building. And modern means changing. This is 2003, not 1920 or 1800."

City officials said the ruckus was just Chicagoans exercising themselves over a city icon. Let the fans decide whether the new stadium, which will be surrounded by 19 acres of new parkland, works, they say.

The early returns are mixed. On Thursday afternoon, Lauren Smith, 35, was sitting on the steps of the nearby Field Museum watching construction workers hammer away at the new Soldier Field. Asked what she thought of the stadium's new look, Ms. Smith said, "It looks kind of confusing to me."

Her 10-year-old daughter, Megan, jumped in, "It's cool." Then 8-year-old Caitlin piped up with her own take on the new structure.

"I think it looks like a broken flying saucer," she said with a giggle.

http://graphics7.nytimes.com/images/2003/06/15/national/16field.xl.jpg

The futuristic renovation of the stadium, which opened in 1924, has brought criticism, including the tag Monstrosity on the Midway. Photos by Peter Thompson for The New York Times

Eugenius
June 16th, 2003, 03:09 PM
I think they may have picked the least flattering angle from which to take that picture. *Does anyone have other shots that may be more objective? *This definitely looks like an interesting piece of architecture. *To be sure, although the different styles do indeed look like a mismatch, I am not certain why a "Greek temple" look would ever be appropriate for a football stadium.

ZippyTheChimp
June 16th, 2003, 07:53 PM
Go here: http://www.permasteelisausa.com/ext-soldierfield.html

and here:
http://www.construction.com/NewsCenter/Headlines/ENR/20030414b.asp

JMGarcia
June 16th, 2003, 08:09 PM
People hate change.

Chicagoan
June 16th, 2003, 11:05 PM
The photographs actually took the most flatering angles for the porject. For a huge portion of the building, the new structure cantilevers over the older parts of the stadium.

But the classical inspiration was appropriate. It was designed like the old Hippodrome of Rome and the sports theme was appropriate.

It is something one just has to see and compare to what was there before. I am the last person that you will find to believe that historica structures cannot be adapted, even those that have been declared as such. But this design is horrible!

But also, if you were in this city you will know of the controversy surrounding the financing of this project and the surreptitious manner in which the mayor started demolition.

But that aside, it is a very bad design... driven by bad ideas.

NYatKNIGHT
June 17th, 2003, 11:51 AM
My Chicago connections agree with Chicagoan, but I'll reserve final judgement for the the next time I go there and see the Giants beat, I mean play, the Bears. I'll definitely miss the stadium in its original version, it was a sight to behold.

TLOZ Link5
June 17th, 2003, 06:49 PM
I don't like it. *And it takes something really hideous for me to say that.

kn
August 22nd, 2003, 03:12 PM
People do hate change. *And in this case, football, you have to wonder, "What's the big deal, it's only 8 games?"

But this new stadium simply looks terrible. *Why even bother cramming new seating into an old one if it's going to look like this? *That asymmetrical look is really unnerving somehow. *And it's not like they saved any money. *(Patriot's Gillette Stadium cost $325 mil)

The worst part is that you can't even see the columns from inside the stadium anymore. *That signature feel is gone. *So again I ask, why even bother doing this?

Surely there had to be other alternatives. *Couldn't they have incorporated the columns instead of blocking them out entirely? *An NFL field is 360 ft long by 160 ft wide. *After the inner bowl was completely gutted of all the old seats, (http://www.soldierfield.net/images/new6full.JPG)
would it have been possible to change the field direction? *Instead of the columns being parallel with the field you'd be kicking field goals towards them instead. *Of course, there would be fewer endzone seats but there always are anyways. *Plus, you could go as high up and as far out over the outer wall and block nothing.

Who knows? *I don't know the exact dimensions. *Just a thought. *It just seems a shame that removed that view of the columns.

Kris
September 29th, 2003, 11:21 PM
September 30, 2003

ARCHITECTURE REVIEW

The Scrimmage of Old and New

By HERBERT MUSCHAMP

http://graphics7.nytimes.com/images/2003/09/30/arts/30sold.184.jpg
The landmark colonnades, right, side by side with progress in Chicago.

The new football stadium at Soldier Field in Chicago is an uncannily accurate portrait of a great American city in changing times. Some Chicago lovers find the portrait less than flattering. Even before the inaugural game last night, the Chicago Bears' new home has been harshly criticized for (among other things) destroying the old landmark stadium that the design has transformed.

I suspect that it won't be long before the city embraces the new field. The design's urban and architectural merits are considerable. Its conceptual qualities are better still. If you set out to write something bad about the design, you ultimately end up with a critique of the society that produced it. But the design is much more than a symptom of our time. It is a creative response to it. Soldier Field is a daring study of urban America in extremis, precariously poised for a future beyond its widely unlamented demise.

Designed by Ben Wood of Chicago and Carlos Zapata of Boston, the 62,200-seat stadium stretches the concept of adaptive reuse nearly past the breaking point. Retaining the classical shell of a stadium designed in the 1920's, the architects have inserted what amounts to an entirely new structure. Instead of matching the two parts in style, they have updated the old stadium in terms of spirit. The result is a major breakthrough: the liberation of sports architecture from sports architects.

If you want to build a great stadium, hire a real architect. Cities in Europe, Asia and Latin America have understood this for years. In the United States sports architecture has been crippled by the same developer mentality that has hampered almost every type of building except museums and concert halls. Make it exciting! But don't risk surprises. Don't hire anyone who hasn't done the same thing at least 2,000 times.

This Catch-22 has given us 10 years of mediocre sports architecture, much of it in the retro mode typified by Coors Field in Denver. It has been riveting to watch baby-boom fathers inflict their traumatized inner childhoods on their own unsuspecting progeny in turn. But for cities the loss has been great. Just when our urban centers might have been aiming to surpass our overseas counterparts in creative ambition, our teams were settling for the architectural equivalent of stale popcorn and warm beer.

Soldier Field, by contrast, is easily a match for the most advanced stadium design anywhere in the world today. The $382.5 million building, part of a broader plan to improve Chicago's lakeside parks, should be a model for cities that are looking toward architecture to strengthen their identities as contemporary cultural centers.

The original Soldier Field was a concrete structure in Doric style, reflecting the classical motif of Chicago's lakefront parks. Designed by Holabird & Root in 1919-22 as a memorial to those killed in World War I, the stadium was originally intended for track and field events. Even after successive remodelings, the sightlines for football were far from ideal.

The decision in the early 1990's to rebuild the stadium was part of a movement away from the existing practice of putting sports arenas in suburban areas accessible only by car. Retaining the downtown location made perfect sense for Chicago, a great walkers' town. Preserving the perimeter colonnades from the old stadium was also a sound decision, and one of impeccable classical pedigree. In Rome the reuse of ancient theaters and stadiums has long been integral to the reweaving of the urban fabric.

But the artistic pairing of old and new is distinctly contemporary. Additions to older structures are a defining building type of our time. The type is the product of a collision between two forces: the impulse to preserve and the need for economic development.

Chicago has dealt with this conflict better than most cities, nowhere more emphatically than in the new stadium's design.

I call this type of design parabuilding: it is the modern tick on the postmodern host. New York examples include the Palace Hotel, a modern shaft that towers above the historic Vuillard Houses on Madison Avenue and 51st Street. Typically, as at the Palace, the parabuilding is designed as a discreet background to the existing host. Not at Soldier Field. Here modernity erupts with the jubilance of a prodigal returned. It's happy to be home.

This is a place of extremities held in a dynamic state of imbalance. The tension between tradition and contemporaneity is but one source for this highly energized design. Perhaps the most startling of these derives from the juxtaposition of the stadium's classically symmetrical shell and the whirling asymmetry of the new building within it. This is a place made for movement: sky boxes and open seating are arranged in what look like tectonic plates that have been subjected to the forces of a centrifuge.

Extreme cantilevering makes this composition possible. This technique is theatrically demonstrated in the long, tapering trusses that streak through the air like comet trails at either end of the field. Functionally justified as armatures for two electronic signboards, these elongated forms are emblematic in themselves: symbols of grace under pressure.

Cantilevering is also used to give the banks of seating a steep rake. Besides bringing the seats closer to the playing field, the steep angle creates an impression of verticality. This effect plays off the horizontal stretch of the grandstands. And so it may occur to you that the field has become the central plaza of a European town, the site of some great civic ritual viewed from the packed windows of surrounding buildings.

The skyboxes — here called executive suites — add to this impression. These glassed-in luxury accommodations are housed on four levels in what amounts to a separate building. Stretching around the field's east sideline, they give the effect of a glass office building just outside the lower structures ringing the plaza.

This impression links the stadium to views of the Chicago skyline made possible by deep cuts through the structure at the end zones. A result is extreme intimacy: with the field, the city and Chicago's heroic tradition of leadership in the building arts.

A separate building for rich people! A defiled historic landmark! A prime lakeside location instead of some depressed neighborhood on the outskirts that might have benefited from this enormous urban investment! Extreme intimacy, my foot! More like an extreme example of big bucks getting their way!

Well, all right, if you insist. Yet implicit in such criticisms is the assumption that the city should somehow operate outside the economic system we have developed for ourselves in the post-cold-war world. Perhaps it should. Until that dubious prospect is realized, however, we shouldn't expect our architects to do more than aestheticize the actual urban condition.

Our cities are becoming more, not less, dependent on spectacles and pastimes. One spectacle is the historic fabric of the city itself. But only theme parks can become museums of themselves. New buildings interpret the changing life of the contemporary city to its living inhabitants.

Sports is big business. If you don't like seeing the name Cadillac on the clubhouse for the luxury suites at Soldier Field, try Wrigley Field. At Soldier Field the pressures coursing through the modern city are made visible.

If your commitment is to classicism, you will find a more authentically classical urbanism in the recast stadium than was present when the concrete colonnades stood alone. And if your commitment is to conflict, as a city lover's ought always to be, the field's controversial reception will not let you down.


Copyright 2003 The New York Times Company

ThuRsDaY
September 30th, 2003, 02:45 AM
I saw the Monday night game, and the stadium looked great. It doesn`t look so grand during the day though, but when it`s lit up at night it`s quite the spectacle. I guess though lighting makes the ugliest things look good. :shock:

Chicagoan
September 30th, 2003, 03:13 AM
I saw the Monday night game, and the stadium looked great. It doesn`t look so grand during the day though, but when it`s lit up at night it`s quite the spectacle. I guess though lighting makes the ugliest things look good. :shock:

My thoughts exactly, I pass by the stadium several times a week on the way to and from studio and it looks alot better at night than it does during the day- especially the way the classical columns are lit, juxtaposed to the masses of glass and spandrels for the newer part.

But I still think it looks sh*tty. [ pick a vowel].

Kris
May 6th, 2004, 05:50 PM
http://archrecord.construction.com/projects/portfolio/archives/images/0405soldierField.jpg
Photo © David Seide/Defined Space

Lauren Loves NY
May 11th, 2004, 02:09 AM
It looks odd - very awkward in the first pics that NYatKNIGHT posted. I really don't like the concept - I can't believe they actually chose that design and went through with it.

That is an awesome shot that Christian posted, though. ^^^^

Kris
July 17th, 2004, 09:41 AM
http://www.philipmalenfant.com/chi2007

Before:

http://www.philipmalenfant.com/chi2072

www.philipmalenfant.com