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Fabb
April 27th, 2003, 10:29 AM
http://tokyoyakei.cool.ne.jp/tokyo/roppongi/roppongi-2.jpg

NyC MaNiAc
April 27th, 2003, 02:09 PM
Great picture...can I assume it's yours?

The tower has a simplistic, yet innovative design, IMO.

How tall is it?

Fabb
April 27th, 2003, 02:17 PM
It's 780 ft tall, 4 meters short of the Tokyo City Hall by K. Tange.
I wish I had taken this picture...

Kris
April 27th, 2003, 05:25 PM
I wish the average Chinese highrise were as refined.

TLOZ Link5
April 27th, 2003, 09:14 PM
I wish it were a few stories taller. *Scrolling from the roof down, it seems to terminate quite abruptly.

Still, Roppongi a very vigorous, modernistic skyscraper. *Tokyo has to build lower than most other cities because of earthquake threats, but they're steadily building higher. *According to skyscrapers.com, they have a 300-meter tower on the boards that will be finished by 2010 if it's approved.

DominicanoNYC
April 28th, 2003, 10:34 PM
Wow. Vey nice. It's a very new style yet it's down to earth, unlike other new styles I've seen.

NyC MaNiAc
April 28th, 2003, 10:49 PM
Agreed. Thanks for the info, Fabb.

I think most wouldn't mind if I grabbed this tower, raised it's heights and planted it in Midtown/Lower Manhattan, eh?

DominicanoNYC
April 29th, 2003, 06:44 PM
Of course not. A great place for this tower to go would be Times Square. I think that it would really blend in with the buildings that are already there.


"Bring the skyscrapers Uptown!"From DominicanoNYC.

NoyokA
April 29th, 2003, 09:58 PM
Roppongi Mori Tower is evil by design.

But quite amazing...
Anyone see the Discovery Channel Special "Engineering the Impossible":
http://dsc.discovery.com/convergence/eti/eti.html

This is the only built structure to make an appearance, bad ass...

Lightning Homer
April 30th, 2003, 07:08 AM
This one reminds me of a penis, rather than its Catalaunian counterpart. But it looks like they've been to shy to achieve it, doh !

Kris
June 24th, 2003, 11:35 PM
"the largest city redevelopment in japan,
called 'roppongi hills' opened recently,
spring 2003, at the center of tokyo.
the sprawling development with luxury housing
and designer shops intent on surviving the
growing threat of an office-space glut and eager
to keep japan competitive as a destination for
foreign visitors and investment.
this new landmark complex area will
also give tokyo a much needed cultural center,
combining culture, education,
business, residence and commerce.

fourteen years in the planning and three
years in construction, roppongi hills occupies
11.6 hectares. the 280 billion yen ($2.3 billion)
project, offers a spaciousness with foliage that
is rare in congested tokyo.
roppongi hills features japan's biggest
270-meter-tall, 53- floor office tower with an
observatory providing a panoramic view of tokyo
at the top and hosts about 200 shops and
restaurants.
everything is new. everything is perfect..."

http://www.designboom.com/eng/funclub/roppongi.html

Fabb
June 25th, 2003, 08:04 AM
270 m = 885 ft.
I doubt that this figure is correct.

TLOZ Link5
June 25th, 2003, 01:28 PM
Might be measuring it from sea level.

Fabb
June 28th, 2003, 03:33 PM
http://tokyoyakei2.cool.ne.jp/tokyo/tokyo-tower/t-tower-113.jpg

I didn't realize that it was so close to the Eiffel Tower.

TLOZ Link5
June 28th, 2003, 04:44 PM
You mean Tokyo Tower, right Fabb? *:)

Fabb
June 28th, 2003, 05:53 PM
Oups.
I thought they were all called that way.

And I just noticed the giant M near the top of the tower. Can you imagine a giant T on top of the Trump towers ?

emmeka
July 1st, 2003, 10:00 AM
Wow, its........different!

I like it, but it definatley belongs in tokyo. Its the right kind of style.

Dosent the tokyo tower look a bit of a mess?
Im not denying that it isnt a brilliant structure though.

Kris
August 21st, 2003, 04:44 PM
http://www.archidose.org/Aug03/081803.html

DominicanoNYC
August 21st, 2003, 08:56 PM
Wow! It's so cool. I wish it were in Times Square:)Hehe.

Eugenius
August 22nd, 2003, 12:12 PM
With floor plates of 120,000 square feet, this 54-story building has what, like, 6 million square feet? *It's an absolute monster!

TLOZ Link5
August 22nd, 2003, 10:49 PM
I find that hard to believe, Eugenius; but if that's the case, the massing is incredible.

NyC MaNiAc
August 25th, 2003, 09:54 PM
Quote: from Fabb on 4:53 pm on June 28, 2003
Oups.
I thought they were all called that way.

And I just noticed the giant M near the top of the tower. Can you imagine a giant T on top of the Trump towers ?


Either Way, I still say he's taking over the world... :)

Kris
September 13th, 2003, 12:49 AM
Despite Economy, Tokyo Office-construction Booming

(From The Far Eastern Economic Review)

By Tim Hornyak in Tokyo

OLD-TIMERS IN TOKYO are scratching their heads. Forests of cranes are sprouting and construction zones are mushrooming, creating towering new landmarks in the centre of the capital. A building boom is sweeping central Tokyo, the likes of which have not been seen since Japan's days of postwar high growth in the 1950s and 1960s. And all this during the deep freeze of the country's long economic slump.

Notorious for its ground-hugging, chaotic architecture, Tokyo is getting a facelift as spectacular new cities rise within it. One of the most impressive is Shiodome, a 31-hectare slice of business, residential and commercial waterfront on Tokyo Bay that's about half complete. Abutting the glitzy Ginza shopping district and the shogunal Hama Rikyu Garden, Shiodome is already a dramatic knot of skyscrapers punctuated by leading ad agency Dentsu's new headquarters, a titanic wedge of glass by French architect Jean Nouvel. An array of midair walkways, sunken plazas and underground thoroughfares connect offices, shops, condominiums and hotels. Girded by rail, subway and highway, Shiodome is to be a workplace for 61,000 people and a home to 6,000. By its completion in 2006, it is expected to have created 93,000 jobs and economic benefits of 1.6 trillion ($13.6 billion), part of an estimated 10 trillion to be generated by over 100 Tokyo redevelopment zones such as Marunouchi and Shinagawa.

While Japan's economy has been showing some signs of recovery lately, few believe the recession will end soon. So why all the jackhammer racket? There are a number of factors, including falling land prices and deregulation. Another is that many of these projects are so large that they require up to 20 years to complete and must continue regardless of prevailing economic winds.

For instance, planning for Roppongi Hills, an 11-hectare, 500-billion office, residential and entertainment complex, started in 1986. Negotiations with 500 landowners took 14 years. The complex caused a sensation when developer Mori Building opened it in April. Now, its office space is 85% occupied and its deluxe homes are expected to be full by the end of 2003. "We've been through the ups and downs, but [President Minoru] Mori had a strong vision and will," says Toru Nagamori of Mori Building. "The important thing is to have a single will behind the project."

Another boom factor was the 1987 privatization of Japanese National Railways, which put large plots up for grabs. Ten years later, JNR's old Shiodome Station freight terminal was auctioned off to help pay debts. Media companies such as Dentsu, Kyodo News and Nippon Television Network Corp. decided to build headquarters there. Other big firms in Shiodome include All Nippon Airways, Fujitsu and Shiseido. "We made a new town from zero," notes Shigeru Koshikawa, who manages Dentsu's Caretta Shiodome shopping mall tucked under its 48-storey headquarters. "That concept itself appeals to consumers."

The area on which Shiodome stands was reclaimed from Tokyo Bay under the medieval shoguns. Japan's first railway, a line to Yokohama, was built there, with the mikado (emperor) himself presiding over its 1872 inauguration that ushered Japan into the steam age. The station was destroyed in a 1923 earthquake; now a new concrete reproduction of it houses cafes. It is dwarfed by the 43-storey Shiodome City Centre, an office tower developed by Mitsui Fudosan and the Singapore government that is home to restaurants, a cooking school and a Porsche showroom.

Over at Caretta Shiodome, about 80 people are lined up outside Kyoto tea shop Tsujiri, one of the mall's 56 stores. At a nearby theatre, the cast of Broadway musical Mamma Mia is warming up. Forty-seven storeys above, all tables are booked at eateries with panoramic views of Tokyo Bay and Ginza's lights. These commercial and cultural synergies make a fine melange, says Koshikawa. "In the first six months, the number of visitors as well as sales have exceeded our estimates by nearly 20%," he adds; on average over 200,000 people visit the mall weekly.

Most of Shiodome's office space is occupied by corporate headquarters, which provide a steady clientele for local businesses. But the flip side of the boom are the vacant buildings in Tokyo, even in Ginza, that corporations ditched for new digs. "When they left those places, especially in Yokohama, it was almost impossible to sell the space," says Keiko Otsuki, a real-estate analyst at Morgan Stanley Japan.

Another downside is the office glut. With new buildings coming onto the market at about the same time, the industry fears an oversupply. At the end of March, the vacancy rate of offices in the five wards of central Tokyo hit a high of 8.18%. Says Otsuki: "Owners can't get the same rents as before. Basically, rents are falling."

Others see macroeconomic woes overshadowing the building frenzy. "The problem is, in the current Japanese economy, with a flat nominal GDP and deflationary undertow, you're not guaranteed rental tenants," says independent financial analyst Stephen Church, head of Analytica Japan. He recalls fears that a chunk of Shiodome City Centre would be empty after a merger between prospective tenants collapsed. Developer Mitsui Fudosan has since said that most of the space has been let to an affiliate.

The property-investment bubble also reflects underlying economic distortions such as abnormally low interest rates and the bad-loan crisis, says Church. "What can we do? We can't stop construction. We just have to live with it," says Fred Takahashi of Shiodome lead developer Sumitomo Realty & Development, which is erecting three structures on the site, including Japan's tallest residential tower at 190 metres.

"It's not that difficult to find tenants for new buildings because the technology is so different," adds Takahashi. Most of the problem was concentrated in the first three months of the year, he says, and July was the best month for rental contracts in the past five years. "People started saying, 'I think we should get on the train now, or we'll miss it.'"

Kris
January 7th, 2004, 12:30 PM
January 4, 2004

Tokyo Builds a Microcosm of Itself

By JAMES BROOKE

http://graphics7.nytimes.com/images/2004/01/04/travel/04roppongi-span.jpg
A sculpture of a spider ("Maman" by Louise Bourgeois) beside the Mori Tower.

LET'S meet at the spider.

A year ago, that invitation had no meaning. But since April l, the 30-foot-high Louise Bourgeois bronze sculpture has tiptoed into Tokyo's collective consciousness. The children of Japanese who once worried about Godzilla are now sheltered by the eight welcoming limbs of an arachnid formally called "Maman."

The spider is the jumping-off point for exploring Roppongi Hills, Tokyo's new "city in a city," two miles from the Ginza, in Roppongi, a neighborhood of bars, restaurants and upscale housing.

For style-obsessed Tokyo, always striving to be 10 degrees ahead of New York and London, this 29-acre, $4 billion complex of curving glass, minimalist metal and earthy stone arrives after a decade in gestation, offering an enticing conglomeration: cutting-edge restaurants, shopping, a hotel, movie theaters and art, as well as a 54-story office tower and a residential complex. Exploring Roppongi Hills is a new key to understanding Japan today - and tomorrow.

Although 99 percent of the clientele is Japanese, the new complex is deliberately welcoming to English speakers. Signs are largely bilingual and tenants are under orders from Minoru Mori, the real-estate force behind the ambitious development, to hire employees with basic English skills. The omnipresent free brochures, however, with such titles as "Artelligent Christmas," "Hills Life" and "Floor Guide," turn out to be all in Japanese.

Still, remarked a friend over drinks, "The English here is better than at the Imperial Hotel." Rick Herman, a portfolio manager from Philadelphia, had temporarily defected from the Imperial, Tokyo's famous downtown standby, to join my wife, Elizabeth, and me at Maduro, the elegant new bar in the Grand Hyatt Tokyo at Roppongi Hills. Exuding an exclusive clublike air, the bar's door is a gray, anonymous block that silently slides open on approach.

With warm, subdued lighting and an impressive wine list, Maduro was to be named Morgan, until the designer, a New Yorker, learned that the two anchor tenants of the Roppongi Hills office tower were to be Lehman Brothers and Goldman Sachs.

Even though Elizabeth and I were staying at the Hyatt, Maduro would not take reservations. But the tables were plentiful before dinner. Peeking in after dinner, we discovered that there was a $14 cover charge, and the place was filled with Tokyo's beautiful people.

For dinner, we went to Juniper, a Hyatt restaurant about 50 feet away - which, like many excursions in Roppongi Hills, involved briefly getting lost. A Scandinavian-Japanese fusion menu at Juniper is based on the lean cuisine of northern Europe and served with Japanese attention to detail and subtlety. The smoked salmon and turbot came in just the right size portions to be savored, not gobbled. A D.J. played music, but not so loud that it impeded conversation.

After dinner, we strolled from the Hyatt, down Keyakizaka Street, window shopping our way past Louis Vuitton, Courrèges, Coach and La Perla lingerie. Just the way the mature trees add instant grace to the eight-month-old street, the high-class lineup of stores is making Keyakizaka an overnight competitor with the Ginza, Tokyo's Fifth Avenue, albeit with a neon touch.

Modern Japan's best buzz meter is the concentration of cellphone cameras. On that Friday night, the cameras were out in force: couples on dates taking self-portraits in front of the Christmas tree sculpture and knots of office workers gathering, slightly inebriated, for year-end snapshot e-mail messages.

The setting of the winter sun had provoked the disappearance of those who populate the place during the day: the fashionistas, the strollers through the gingkos and ponds of the one-acre traditional Japanese garden, and the high-tech tourists each equipped with a headset as if on a museum tour.

Some of the tourists had ducked inside the nearby TV Asahi headquarters building to sip tea at the cafe overlooking the garden or to browse in the lobby, decorated with costumes from historical soap operas.

Others had gone upward, 700 feet up to the sky deck, Tokyo City View, reached by elevators that whisk visitors 52 stories up the Mori Tower, the glass-sheathed centerpiece of the complex.

Peering through glass walls that seem to be polished every 18 minutes, a visitor can walk around the main office tower, to see all of Tokyo, night or day. Perhaps the world's only high-rise that sells gin and tonics and wasabi muffins, its sky deck is open early enough to see Mount Fuji lighted by the morning sun and late enough to allow couples on dates to cuddle.

The City View ticket - $14.25 for adults and $4.75 for younger children (at 109 yen to the dollar) - also allows admission to the Mori Art Museum, (the Mori Art Museum is part of the Mori Arts Center) on the two floors above the observation deck, at the pinnacle of the complex. Lured initially by the city panorama, visitors flow naturally up escalators and into the galleries of the full-size big-city modern art museum.

As with the museum's first exhibition on the theme of "Happiness: A Survival Guide for Art and Life," running through Jan. 18, the idea is to assemble pieces from different countries, from different media, to create a fleeting intellectual moment, and then to move on.

The museum has no permanent collection (the next exhibition, "Roppongi Crossing: New Vision of Japanese Art 2004," runs from Feb. 7 to April 11). David S. Elliott, the director, is from Britain, making him the first foreigner to run a museum in Japan.

Back at ground level that Friday evening, the sake had been flowing. A tipsy young jaywalker shook with giggles as her girlfriends labored to extricate her boot heel from a chain fence along the sidewalk.

Then they then collapsed onto Droog Design's pink sofa. Designed to be admired - and sat upon - Roppongi Hills' "street furniture" includes Shigeru Uchida's benchlike red ribbon and Tokujin Yoshioka's translucent chair.

At night, the outdoor furniture takes on a magical aspect as fizzy white light rotates across walls and one sidewalk glows with indented lights in the shape of blue diamonds. High atop the office tower, a bowtie effect of lights and shadows looks vaguely like the black bat shadow once projected in the Gotham sky to call Batman.

Leaving the fantasy of the streets, we walked into Starbucks, which is a port of entry to Tsutaya, a two-level store that sells books, magazines and the kind of manga (comic books) and anime (cartoons) that are now Japan's cultural calling card the world over.

From there, we wended our way up one escalator and past Virgin Cinemas, where our 13-year-old son, James, has undoubtedly seen enough movies to allow him to fly to Shanghai on his Cinemileage card.

We passed the food court, where a bagelry sells minibagels, and then down an escalator to Heartland, a small, extremely popular standup bar.

Blocking our entrance were three well-dressed young blond women. They peered inside and conferred. After some indecision, they wheeled off into the night with a flash of pearls.

Inside, smoke hung in the air. Western men, largely 20-something traders from upstairs, bellowed into one another's faces and hoisted beers. A few brave Japanese women cautiously sipped drinks, while standing on the fringes.

Out we spun into the fresh air, and then ducked into the Hyatt, with its lobby that features dramatic abstract sculptures. Not to be confused with the Park Hyatt Tokyo, which was featured in Sofia Coppola's movie "Lost in Translation," Tokyo's newest Hyatt in Roppongi Hills has become a destination in its own right since opening last April. Twice in 12 hours, I bumped into friends at the hotel. The nine restaurants and bars are a major draw, including the French Kitchen on the second floor, a restaurant where the line between kitchen and customer dissolves.

Fast becoming a favorite for Tokyo suburbanites on a weekend in town, the hotel has a spa on the fifth floor and a swimming pool that looks as if it were borrowed from a Greek myth.

Up we went to our room on the 20th floor, where we tumbled into a firm bed that Elizabeth pronounced "better than at home." With blond-wood paneling and flat-screen TV's, the room projected a minimalist elegance. In the morning, I stretched out my right arm, held down a switch and raised the blackout curtain. Cool. Another button rolled up the second shade.

Before us stretched western Tokyo's low-rise buildings, the high-rise cluster of Shibuya's entertainment district, outbound traffic clogged on Metropolitan Expressway No. 3, swatches of green parkland, and on and on, to the foothills of Mount Fuji, which, true to form, was blocked by clouds.

Twelve hours at Roppongi Hills was a reminder that while the headlines say the Japanese economy is in a state of stagnation, the Japanese are always creating. One year ago, the experts were predicting failure. But Roppongi Hills drew 26 million visitors in its first six months, double the draw of Tokyo's two Disney parks. The complex gives a glimpse of a new Tokyo: high-rise, high-tech and high style.

http://graphics7.nytimes.com/images/2004/01/04/travel/04roppongi.2.jpg
Pedal taxi in Roppongi Hills.

Visitor Information

For information on Roppongi Hills, visit www.roppongihills.com/en/information . Although there are over 2,700 parking spaces in the complex, the simplest way to get there is by taxi.

Tokyo City View, (81-3) 6406-6652, www.tokyocityview.com . Admission, $14.25 for adults (at 109 yen to the dollar); high school and college students, $9.50; younger children, $4.75. Open 9 a.m. to 1 a.m.; last admission at midnight.

Grand Hyatt Tokyo, (81-3) 4333-1234, www.grandhyatttokyo.com . Standard rates in the 389-room hotel start at $438. In the Maduro Bar, reservations (81-3) 4333-8888, four glasses of wine cost $86. At the Juniper restaurant, (81-3) 4333-1234, dinner for two with two glasses of wine was $201.

JAMES BROOKE is a correspondent in the Tokyo bureau of The New York Times.

http://graphics7.nytimes.com/images/2004/01/04/travel/04roppongi.3.jpg
TOP Street seating, by Droog Design. BOTTOM Outside the TV Asahi building.

Copyright 2004 The New York Times Company

JonY
January 8th, 2004, 09:05 AM
More pics:

__http://www.roppongihills.com/img/photo_01.jpg

http://skyscraperphotos.com/cit/dja01/a/izja108.jpg_http://skyscraperphotos.com/cit/dja01/b/izja126.jpg

emmeka
January 10th, 2004, 01:05 PM
Great pics again JonY!

It is a bit monstorous from some angles. but i do like it.

HROkabe
February 6th, 2004, 04:50 PM
Fabb: Thanks for posting those absolutely awesome photos from Tokyo. It's the first time that I've caught a glimpse of Roppongi at night, and that's surely quite a sight (in terms of architecture and lighting and size).

One page titled "Tokyo*Jam" has a gallery of Tokyo metropolitan scenery. They are in black and white, which resolate somewhat of a nostalgic, sentimental feel.

http://www.tokyo-jam.com/g_mex.html

~!@#$%^&*(Rick)

PS- According to one statistic, the average amount of money spent by each visitor of the Roppongi Tower is around $107. Talk about a big wallet diet...

Kris
February 8th, 2004, 04:45 AM
Found on skyscrapercity, model of Tokyo at the World City Expo in the tower:

http://kkbwatcher.fc2web.com/skyline/japan/exhibition/shinjuku.jpg
Shinjuku

http://kkbwatcher.fc2web.com/skyline/japan/exhibition/shinagawa.jpg
Shinagawa

http://kkbwatcher.fc2web.com/skyline/japan/exhibition/toshin.jpg
Mita

http://kkbwatcher.fc2web.com/skyline/japan/exhibition/toshin2.jpg
Kasumigaseki

http://kkbwatcher.fc2web.com/skyline/japan/exhibition/all.jpg

Kris
February 8th, 2004, 07:59 AM
Other cities are also represented...

New York:

http://kkbwatcher.fc2web.com/skyline/japan/exhibition/ny.jpg
http://kkbwatcher.fc2web.com/skyline/japan/exhibition/ny2.jpg

Chicago:

http://kkbwatcher.fc2web.com/skyline/japan/exhibition/chicago.jpg

London:

http://kkbwatcher.fc2web.com/skyline/japan/exhibition/london.jpg
http://kkbwatcher.fc2web.com/skyline/japan/exhibition/london2.jpg

Paris:

http://kkbwatcher.fc2web.com/skyline/japan/exhibition/paris.jpg

Frankfurt:

http://kkbwatcher.fc2web.com/skyline/japan/exhibition/frankfurt.jpg

Gulcrapek
February 8th, 2004, 02:02 PM
Moses on skates, Tokyo is huge.

Kris
February 8th, 2004, 03:16 PM
Probably the same models:

http://www.mid-tokyo.com/03_e/img/tokyoL.jpg

http://www.mid-tokyo.com/03_e/img/newyorkL.jpg

http://www.mid-tokyo.com/03_e/img/lead03.gif

http://www.mid-tokyo.com/03_e/img/georama.jpg

The Minato Ward model, which is 5.4m by 4.5m in size, has been featured in a variety of local and international media for its originality and precision. It was recently part of an exhibition held at the Netherlands Architecture Institute in Rotterdam entitled "Towards Totalscape" exploring contemporary Japanese architecture, urban planning and landscape architecture. It received high acclaim from the urban planning and architecture worlds, as well as from the mass media.

http://www.mid-tokyo.com/03index.html.en

mr messer
July 26th, 2010, 03:02 PM
Mori Tower looks very natural, round with little round spires on each side. I was there in June and it's very nice especially at the night time.
(http://sleepny.lefora.com/2009/12/04/mori-tower-roppongi-hills/6/)

WizardOfOss
July 26th, 2010, 03:50 PM
At least we agree on one building in Tokyo. It's a great building, not just because of the tower itself, but even more the way it blends in in the total Roppongi Hills complex. And the view from the open-air observation platform is as good as it gets in Tokyo.

http://i289.photobucket.com/albums/ll203/SandervW/Japan2008/16-Tokyo/th_Dsc_2991.jpg (http://i289.photobucket.com/albums/ll203/SandervW/Japan2008/16-Tokyo/Dsc_2991.jpg) http://i289.photobucket.com/albums/ll203/SandervW/Japan2008/16-Tokyo/th_Dsc_3031.jpg (http://i289.photobucket.com/albums/ll203/SandervW/Japan2008/16-Tokyo/Dsc_3031.jpg) http://i289.photobucket.com/albums/ll203/SandervW/Japan2008/16-Tokyo/th_Dsc_3094.jpg (http://i289.photobucket.com/albums/ll203/SandervW/Japan2008/16-Tokyo/Dsc_3094.jpg)

mr messer
July 26th, 2010, 04:44 PM
Except when it killed that boy when the automatic doors closed on him.

But I liked it there because I stayed there with some models from Europe. It was fun and I sang some operas for them. Next time I will stay there too. The rooms are very nice.